By Laurie Champion
Girls writers were routinely excluded from literary canons and never until eventually lately have students began to rediscover or realize for the 1st time overlooked girls writers and their works. This reference comprises alphabetically prepared entries on fifty eight American ladies authors who wrote among 1900 and 1945. every one access is written via a professional contributor and discusses a specific author's biography, her significant works and issues, and the severe reaction to her writings. The entries shut with large fundamental and secondary bibliographies, and the quantity concludes with a listing of works for extra reading.The interval surveyed by way of this reference is wealthy and various. Modernism and the Harlem Renaissance, significant inventive pursuits, happened among 1900 and 1945, and the entries integrated the following reveal the numerous contributions ladies made to those activities. the quantity as a complete strives to mirror the variety of yankee tradition and contains entries for African American, local American, Mexican American, and chinese language American girls. It contains renowned writers corresponding to Willa Cather and Eudora Welty, in addition to extra missed ones reminiscent of Anita Scott Coleman and Sui Sin some distance.
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Extra resources for American Women Writers, 1900-1945: A Bio-Bibliographical Critical Sourcebook
Novak, Michael Paul. ” Kenyon Review 7 (1985): 9–20. Peterson, Douglas. ” Southern Review 19 (1983): 73–87. Ramsay, Paul. 3 (1970): 116–24. Ridgeway, Jacqueline. Louise Bogan. Boston: Twayne, 1984. Roethke, Theodore. ” Critical Quarterly 3 (1961): 142– 50. Smith, William Jay. ” The Streaks of the Tulip: Selected Criticism. By Smith. New York: Lawrence-Delacorte, 1972. 31–56. Tate, Allen. Rev. of The Sleeping Fury, by Louise Bogan. 1 (1937): 190–92. Winters, Yvor. ” Rev. of Dark Summer, by Louise Bogan.
O’Connor could be speaking for the novel itself when he says, “I have a narrative, but you will be hard put to find it” (141). The Antiphon, a tragedy in blank verse, marked the last of Barnes’s major works. The Antiphon tells the story of an alienated family and explores the conflict between a mother and daughter, who have been the victims of a cruel husband and father. In the end, the mother is unable to identify with her daughter or approve of the life her daughter leads, one she secretly envies.
Reno: University of Nevada Press, 1987. Cactus Thorn. Fwd. Melody Graulich. Afterword Melody Graulich. Reno: University of Nevada Press, 1988. (Novella) Beyond Borders: The Selected Essays of Mary Austin. Ed. J. Ellis Reuben. Carbondale: Southern Illinois University Press, 1996. (Nonfiction) A Mary Austin Reader. Ed. Esther F. Lanigan. Tucson: University of Arizona Press, 1996. (Anthology) Studies of Mary Hunter Austin Gelfant, Blanche H. ” Novel: A Forum on Fiction 18 (1984): 64–80. Graulich, Melody.
American Women Writers, 1900-1945: A Bio-Bibliographical Critical Sourcebook by Laurie Champion