By Charles Dantzig

ISBN-10: 224680454X

ISBN-13: 9782246804543

« Chef-d'œuvre. » Quand ce très vieux mot du Moyen Âge utilisé pour l'artisanat a-t-il commencé à être appliqué à l. a. littérature ? Y a-t-il un critère du chef-d'œuvre littéraire ? Mieux, une recette ? remark être sûr qu'un livre est un chef-d'œuvre ? Un chef-d'œuvre est-il éternel ? los angeles postérité est-elle le bon juge ? Crée-t-on encore des chefs-d'œuvre aujourd'hui ? remark définir le chef-d'œuvre ?

C'est à toutes ces questions que tente de répondre ce livre. Parcourant les grands livres, de Homère à Heine et de Boccace à Beckett, il suggest une examine inattendue de l'œuvre de James Joyce aussi bien que des considérations sur ce que l'on peut penser des Aristochats de Walt Disney. Charles Dantzig montre encore une fois que l'on peut associer le brillant et l. a. réflexion, l. a. virtuosité et los angeles profondeur, l'érudition et l'esprit.

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I am indebted for this idea to Paul Eggert, ‘‘The Golden Stain of Time,’’ Books and Bibliography: Essays in Commemoration of Don McKenzie, ed. John Thomson (Wellington: Victoria University Press, 2002), pp. 116–28. See also Burghard Dedner’s ‘‘Editing Fragments as Fragments,’’ TEXT 16 (2004), 97–111. Complexity, endurance, and scholarship 27 fully in the moment of our philosophical, aesthetic, intellectual, and sensuous engagements with art and artifacts. However, one must pay no attention whatsoever to nay sayings by new gods.

I hope this mapping of an inclusive view of acts relative to scripts contributes a provocative initial approach both to script acts and to electronic access and text representations to which other scholars will contribute ideas and practice. One implication of the mapping attempted here is that no single copy 1 2 Marianne Moore’s warning as quoted by Emmy Veronica Sanders as quoted by Robin Schulze in Becoming Marianne Moore: The Early Poems, 1907–1924, ed. Robin Schulze (Berkeley: UCLA Press, 2002), p.

I am indebted for this idea to Paul Eggert, ‘‘The Golden Stain of Time,’’ Books and Bibliography: Essays in Commemoration of Don McKenzie, ed. John Thomson (Wellington: Victoria University Press, 2002), pp. 116–28. See also Burghard Dedner’s ‘‘Editing Fragments as Fragments,’’ TEXT 16 (2004), 97–111. Complexity, endurance, and scholarship 27 fully in the moment of our philosophical, aesthetic, intellectual, and sensuous engagements with art and artifacts. However, one must pay no attention whatsoever to nay sayings by new gods.

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A propos des chefs-d'oeuvre by Charles Dantzig


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